This year I changed my Christmas tree. For several years now I have had a very elegant tree, all burgundy and gold. This year I went traditional.
I glue iridescence to the tips of pine cones, stringing them to the tree on red ribbon. I make cinnamon gingerbread men, with silver buttons and silver smiles. I pull red and green calico bows off the wreath my sister made for me one year and nestle them among the artificial needles of pine. I stitch a new tree skirt, one of unbleached muslin printed with holly leaves and berries.
I sit for two days, stringing popcorn and cranberries.
When I was a child, we always made popcorn strings for our tree. The light bulbs then on trees were large and, unlike my current set of twinkling white lights with the twelve settings of fade and run, colorful. The lights on my childhood trees were red, blue, yellow, and green. My mother lusted for some years after a metallic tree with a projector that rotated colors. Thankfully, we never had the money for one.
We would sit in the living room, my mother, sister, brother and I, and we would string popcorn. Carols played on the stereo and at some point my mother would make cocoa while I would argue with my brother over whether tinsel should be hung or thrown.
The popcorn breaks more easily than I remember. I separate the firm cranberries from those that have started to go soft. I double my thread, rolling the ends between my fingers to make a knot.
After I loop the popcorn strings branch to branch, I add the white ceramic sleigh bells with the red ceramic ribbons which I found in my mother’s house after she died. Next, I hang the porcelain angels, one for each family member no longer with us. A name tag hangs down the angel’s back, between her wings.
At the top of the tree, I place a red feathered cardinal. Wings spread wide as if caught in the moment before alighting, its crest glitters.
